Mexican Dreamweavers is an organization of foreigners on the coast of Oaxaca that supports local artisans in various ways. It works with two cooperatives based in the Costa Chica region: a women’s cooperative that focuses on weaving and the other for men that makes a special purple dye and carve coconut shells. The main idea of the organization is to give artisans access to markets that they otherwise would not.
The organization has its origins in the teachers’ strike in Oaxaca in 2006, when tourism to the state dried up. The weavers in the area initially came to Patrice Perillie, an immigration lawyer, to ask for help to go to the United States, but she told them that their weaving work was too important, so she would work to help them stay.
Her insistence on helping the weavers make a living with their skills came in part from a fortuitous experience. While visiting the city of Oaxaca (inland), Perillie bought a huipil for a girl. Neither she nor the girl knew anything about it, but it was light and Perillie thought it would be good to use it on the beach of Puerto Escondido, where she lives. She found out about a project to paint Converse sneakers and went to investigate and there she met the local weavers of Amuzgo. One of them informed her that this same huipil was from this area and could even tell who had created it. Perillie took this as a sign.
So, Perillie started selling out of her house in Puerto Escondido and the business grew. In 2008, she worked with a group of expatriate friends to create a craft fair in Puerto Escondido, an important tourist town. The fair was a success, not in the least because of the group’s ability to reach expats and other foreigners, a vital market for Mexican handcrafts. From this beginning over nine years ago, it has become a yearly event, held on the third Sunday of January.
Originally the event drew tourists and others who were already in the area, but now there are people who travel specifically to attend. The organization also works to bring the groups’ work to other parts of Mexico and the United States, receiving invitations to other events such as the Feria del Maestros in Chapala, Jalisco and the International Popular Art Market in Santa Fe, New Mexico, as well as non-handicraft events such as an exhibition dedicated to Frida Kahlo at the Botanical Garden of New York.
Although the Amuzco in Guerrero are better known for the working of native Coyochi cotton, Perillie insists that the coastal Mixtecs in neighboring Oaxaca are really the last to fully depend on growing, harvesting, spinning and weaving the fiber without buying supplemental commercial cotton. Another distinction in their work is the use of a purple dye made from a local native purpura pansa mollusk. Not all purple garments are made with this dye, and those that are, are significantly more expensive. The main reason for this is that the animal is endangered. The cooperatives have programs to manage the snail populations, including campaigns to dissuade local snail collectors to avoid these to sell for food.
By supporting these artisan you can help keep them at home weaving, instead of fleeing to El Norte to make a living. This is a reverse migration project of www.laabogadadelpueblo.org. For more information, you can contact Patrice Perillie by email at email@example.com